Review: Storm Boy

I didn’t go into Storm Boy with high expectations. While the film does harness the strength of its source material, it can’t hold to a candle to the original story. Colin Thiele’s 1963 book and Henri Safran’s 1976 film will always hold a revered place in the Australian cultural imagination. This new remake, helmed by experienced television director Shawn Seet (Underbelly, House Husbands, All Saints), makes some crucial changes to the classic story, and never quite does justice to the power of the original.

14 January 2019
Review: Tales From Moominvalley and Moominvalley in November

Moomins are really having their day in the sun, and have been ever since Tove Jansson received her first letter from a business trying to trademark Little My for children’s period-training underpants. In Melbourne, you can buy random objects with their faces on them from Uniqlo, Miniso and every sort of artist’s market. Little My’s been the Twitter avi of the current Voiceworks Editor-in-Chief for as long as I can remember, and I have a turquoise portable phone charger with Moomintroll on a pogo stick on it.

11 January 2019
Review: Juice WRLD

Chicago rapper Juice WRLD arrived at the Forum Theatre on Saturday night (5/1) for the Melbourne leg of his first Australian tour, after turning out at the Enmore Theatre in Sydney the night prior. Anticipation was building as an ever-growing line snaked all the way around the iconic Forum.

7 January 2019
Review: Bumblebee

Director Travis Knight’s comedic and heartfelt take on Bumblebee’s origin story is a breath of fresh air in a franchise known for excessive explosions and a lack of emotional resonance.

27 December 2018
Review: Dumplin’

I am only new to Netflix, but the much-anticipated Netflix Original Dumplin’ has already made my subscription more than worth it. Based on the novel of the same name by Julie Murphy, the critically acclaimed film is set in small-town Texas, and is not only entertaining but important.

19 December 2018
Review: Eighth Grade

Bo Burnham’s Eighth Grade operates as a sort of time capsule. It takes the cringeworthy, the devastating, and the dizzying and doesn’t polish them. It simply presents their uncomfortable, brutal, visceral essence. In doing so, it becomes an authentic illustration with a real, honest beating heart.

19 December 2018
Review: ‘Star Wars: The Empire Strikes Back’ in Concert

A long time ago (last Friday) in a galaxy far, far away (Melbourne), I attended the opening night of ‘Star Wars: The Empire Strikes Back In Concert’, performed by the Melbourne Symphony Orchestra. It was, as you could imagine, amazing.

18 December 2018
Review: The Favourite

Partway through Yorgos Lanthimos’ superb and vicious period drama-comedy The Favourite, a character remarks that she feels her life like “a maze [she] continually thinks [she’s] gotten out of only to find another corner right in front of [her].” Much the same could be said about The Favourite—its complex, acerbic and violently funny narrative thrills the viewer and haunts them in equal measure, leaving them deeply unsettled and not nearly escaped from Lanthimos’ wiles.

17 December 2018
Review: Pick of the Litter

When someone tells you a story, regardless of how accurately the events are depicted, framing is important.

14 December 2018
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