Movie Awards Season is finally coming to an end

The 91st Academy Awards will take place at midday Melbourne time on Monday the 25th of February. Ahead of the ceremony, Oscar Ragg takes a look at whose proverbial stock is up – and whose is down – following a tumultuous, watershed Awards Season.

23 February 2019
Review: Sugar Republic

Hidden away on the sixth floor of Myer in Bourke Street is Sugar Republic, a colourful and exuberant interactive pop-up art installation about all things sugar.

22 February 2019
Review: At Eternity’s Gate

In one of the first scenes of At Eternity’s Gate, a weary van Gogh (played by Willem Dafoe) arrives at the French town of Arles. His room, and the landscape surrounding it, has none of the vibrancy or vitality that we associate with his paintings. Instead, the town is established with a shot of a foggy field spotted with dying sunflowers.

18 February 2019
Review: Laneway 2019

With only a slight promise of sun in the afternoon, punters were to experience a rollercoaster of a day. The 2019 line-up nonetheless promised a chance to witness some of live music’s finest. And no amount of questionable weather was going to stop the assembly of Melbourne’s music devotees.

13 February 2019
Review: At Eternity’s Gate

At Eternity’s Gate is the latest film inspired by visionary post-impressionist painter Vincent Van Gogh.  It is set in the turbulent last years of van Gogh’s life, as he grapples with mental illness, spirituality and an all-encompassing compulsion to paint the world as he sees it. Director Julian Schnabel (The Diving Bell and the Butterfly) does his best to understand the man behind the icon; to strip away novelty and gaze at the star-crossed van Gogh operating on an alien frequency.

12 February 2019
Review: Sweet Phoebe

Contemporary classic Sweet Phoebe has been reimagined for Red Stitch Theatre under the direction of Mark Wilson, a quarter century after it premiered in Sydney starring a young Cate Blanchett. In this stark, intimate space, tightly wound couple Helen (Olivia Monticciolo) and Fraser (Marcus McKenzie) rove around their desperately upper-middle-class domain, eager to quash the insecurities plaguing them as they barrel towards mutually assured success.

12 February 2019
Review: The Odditorium

Anyone who has ever thought about running away to join the circus probably dreamed of something like The Odditorium. Presented as part of the Midsumma Festival, it is a cabaret love letter to the magic of circus and vaudeville.

11 February 2019
Review: The Trial of Dorian Gray

I am no theatre connoisseur. In my eyes, what makes a play good is its ability to make me feel. In this vein, I believe all of the arts – whether it be music, literature, theatre or visual – have a common goal: to move the audience. I don’t need a life altering experience every time I encounter art, but it has to elicit some kind of reaction in me.
Unfortunately, the only thing I really felt while watching The Trial of Dorian Gray was ambivalence.

8 February 2019
Review: If Beale Street Could Talk

Barry Jenkin’s Moonlight follow-up is an immaculate, beautifully-wrought adaptation of the great James Baldwin’s novel, and a deeply sincere ode to love in all its forms.

7 February 2019
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