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Interview: Ethan Cavanagh

All of us know a class clown, with their witty comebacks and laughable one-liners at the ready, but Ethan Cavanagh took it to the next level when he took out the Melbourne Comedy Festival’s Class Clowns state finals and came runner-up in nationals in 2015.

8 October 2018
Profile: Freya McGrath

Dancing with Freya McGrath is a transformational experience—it is an ecstatic declaration of the power of the body, and in her latest work she asks you to enter that space too. Will you take the plunge?

27 September 2018
Interview: Ben Lawrence

“I don’t like hotels. They’re a bit lifeless aren’t they?” I follow Ben to the elevator. In the elevator. Ben’s curious about my recording device. I hand it over to him.

26 September 2018
Review: Baby Bi Bi Bi

I remember exiting the theatre and not being able to stop smiling. As we were making our way to the tram stop, I couldn’t help shaking Dani’s arm and repeatedly (annoyingly) asking her if she saw what I saw and if she could believe it. Being the kind soul she is, she patiently told me that yes, she was there the entire time and she knew exactly how I felt in that moment and there’s a small bit of shared magic that we both took away that night. So please, if you have the time and money go see the show with a friend, I promise you won’t regret it.

20 September 2018
Review: Murder Village at Arts House

The answer, of course, is no. The lightness of the material, the talent on stage, and the apparent joy throughout make this show thoroughly enjoyable. It makes you want more than an hour. And when it’s over, and you feel only ten minutes older, you’ll think that’s the worst thing of all.

17 September 2018
Review: “The dust moats float.”—Luke Beesley’s Aqua Spinach

Maybe it’s me, not him. Maybe I didn’t give these poems the attention they deserved. Certainly, there were enough great moments to know that Beesley is a skillful and original writer, one who I’ll be returning to. Maybe a closer, more perceptive reader would find more in these poems, and the strange corners which Beesley contorts himself into are impressive in-themselves. If you want to feel like you’re driving through heavy fog and a coral reef at the same time, then I recommend Aqua Spinach wholeheartedly. I’m excited for whatever Beesley makes next, whether poetry, fiction, film, or song.

17 September 2018
Review: Don’t Worry, He Won’t Get Far on Foot

“I just realised I didn’t want to go to parties or play tennis anymore.” We begin Don’t Worry, He Won’t Get Far on Foot as a middle aged, upper class woman matter of factly tells her story of a mid life crisis, Valium prescription and alcoholism to an AA meeting in a room of bobbing heads.

10 September 2018
Review: You Were Never Really Here

Ramsay never grants us a fuller picture of Joe’s past, and we are left with no idea of his future. After the plot unfolds, we abandon the characters at this uncertain juncture, oblivious to the fallout. There is no resolution, no closure, no justice. Like Nina and Joe, we are left dazed and bewildered, unsure of what is to come. You Were Never Really Here is no ordinary genre film, and Ramsay doesn’t offer any gratifying release to the tension the film builds. She allows the film to continue reverberating in your consciousness long after you’ve seen it. As the great Paul Schrader observes, the best films begin when you walk out of the cinema. 

6 September 2018
Review: Something To Be Tiptoed Around

‘Something To Be Tiptoed Around’ is a new release from the Grattan Street Press as part of their Shorts Series, which showcases writing that does not fit into conventional publication formats. Having read this book three times in as many days, I would like to recommend that you buy it from a store or borrow it from me, and read it as quickly as possible and then read it again but slowly, carefully, quietly listening.

6 September 2018
Review: Disgust at Trades Hall

Overall, Disgust is not a production that claims to provide clearly defined answers or a neatly wrapped-up conclusion—an approach that whilst possibly alienating to certain viewers, at least makes for an interesting discussion of just what exactly was going on in Moritz’s production once you’re actually out of the theatre. 

1 September 2018
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