Antony Hamilton & ‘Universal Estate’

In the middle of the dancefloor lie several elongated television screens stacked in a small pile, surrounded by wires. The speakers pulse in semi-unison, a fury of rhythmic beats that border between white noise and music. The screens flash in synchronized stripes of color. This forms the set to award-winning choreographer Antony Hamilton’s new dance piece, Universal Estate.

11 March 2019
Review: Dancing Qweens

There is little more anxiety-inducing in live theatre than the word ‘participation.’. But to describe James Welsby’s Dancing Qweens immersive and communal experience as simple participation would be a complete disservice to the queer time warp that Welsby’s alter ego, Valerie Hex, led us through at Carlton’s Dancehouse.

6 February 2019
Silent Bodies

It is only recently that McAllister returned to perform, for the first time since becoming artistic director, in the Australian Ballet’s production of The Merry Widow in Melbourne. On a stage saturated by diamond-studded dresses and scarlet curtains, McAllister appears as Njegus, the bumbling secretary to the ambassador. Pantomimic and slapstick, the fantasy is in full swing—and McAllister knows how to play the game. The audience drinks deeply from his perfectly timed winks and silly walks, revelling in the comedy.

24 October 2018
Profile: Freya McGrath

Dancing with Freya McGrath is a transformational experience—it is an ecstatic declaration of the power of the body, and in her latest work she asks you to enter that space too. Will you take the plunge?

27 September 2018
Fringe Festival: Freya McGrath Dances For 24 Hours

“I’ve discovered and created a great deal of who I am, and what I care about, on the dance floor,” Freya McGrath says.

23 September 2018