Film

Review: DreamWorks Animation: The Exhibition

Beginning as a celebration of the studio’s 20th anniversary, the collection of creative works on display has grown with each new film released in the late 2010’s, culminating in a behind-the-scenes peak at 37 animated features. Unlike a theme-park or premiere event, where the emphasis is placed upon the visitor and their interactions with film characters, DreamWorks Animation: The Exhibition is very much a celebration of the filmmakers and creative processes behind each film.  

12 February 2020
Review: The Lighthouse

The Lighthouse takes inspiration from Edgar Allen Poe’s work to create a dark, filthy and perversely comedic chamber piece of hallucination and repression. A hyper-stylised aesthetic plunges viewers into the eerie, miserable atmosphere of a remote island in 1890s New England.

7 February 2020
Review: A Beautiful Day in the Neighbourhood

A Beautiful Day in the Neighbourhood arrives in the midst of yet another tepid Oscar season, squashed within a crowded line-up of adapted true stories, including the downfall of Roger Ailes (Bombshell [2020]), the denouement of Judy Garland’s career (Judy [2019]), and some cars going vroom vroom very fast (Ford v Ferrari [2019]).

30 January 2020
Review: How accurate is the film Bombshell?

Bombshell succeeds at a lot of things: incredible prosthetics and makeup, captivating audiences while evoking intense emotion, and using clever wordplay in the title of the film. The movie follows three blonde “bombshells” through the challenges and devastation of sexual harassment which ultimately ends in a different kind of bombshell.

Review: 1917

Sam Mendes’ epic one-take war film is an indelible, commanding experience built on some of the most incredible craftsmanship that cinema can offer.

8 January 2020
Review: Cats

At its core, it is a wildly CGI’d musical movie about cats begging to die, starring some of the most iconic people in entertainment (plus James Corden).

5 January 2020
Review: Little Women

Little Women (2019) is a radical re-arranging of Alcott’s novel, a tapestry of moments rather than a chronological narrative.

Review: Atlantics

French-Senegalese filmmaker Mati Diop’s feature film debut, Atlantics, is a sensitively crafted, dream-like journey haunted by the desire for freedom.

19 December 2019
Review: Knives Out

Rian Johnson’s modern murder mystery is the most fun you’ll have in a movie theatre this year, and it’s smart enough that its many pleasures come totally guilt-free.

27 November 2019
Review: NT Live: Fleabag

Fleabag was a like a surprisingly uncomfortable massage into knots I didn’t know I had. Phoebe Waller-Bridge’s one woman show kneaded into my internalised shame surrounding: my sexuality, my adolescent selfishness and the healthy mix of narcissism and crippling insecurity that’s etched into my 20-something soul. I left the cinema feeling looser and better for […]

13 November 2019
Older posts