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Film

Review: Roma, awards season 2018, and how Netflix keeps eating everyone’s lunch

Oscar Ragg reviews director Alfonso Cuarón’s latest and broods over the streaming giant muscling its way into critical acclaim.

7 November 2018
Review: Suspiria—Dance ’Till You’re Dead

Director Luca Guadagnino is back following his 2017 romance-smash Call Me By Your Name, and boy, are we a long way from sun-soaked Italy. Suspiria takes us to late 1970s Berlin, into the terrifying secrets at the heart of the Helena Markos Dance Company. Guadagnino’s remix of a remake departs in several places from the original Suspiria, directed in 1977 by Dario Argento, but casts a similarly powerful spell.

2 November 2018
Review: Beautiful Boy

You can never prepare for everything in life. Nic teaches you this. But what you can try and do is cherish what you have and never let it go. With me it was important to bring my friend along for the journey. With Nic, he needed his dad with him for that.

1 November 2018
Interview: Ben Lawrence

“I don’t like hotels. They’re a bit lifeless aren’t they?” I follow Ben to the elevator. In the elevator. Ben’s curious about my recording device. I hand it over to him.

26 September 2018
Review: Juliet, Naked

What follows is a fairly predictable falling in love story with the added humour of Duncan’s mixture of disbelief and jealously over his idol “fancying” his now ex-girlfriend. O’Dowd plays his classic loveable type but with a sheen of wanker that makes you feel thoroughly uncomfortable and like the world is spinning off kilter.

22 August 2018
Review: West of Sunshine

“It’s a film about Melbourne’s west, you should come with me,” I’d said to Tilly. It was a highly reductive summary, leaving out every single plot element, but it worked—the westside born-and-raised Morley sisters will go see anything that acknowledges our beloved western suburbs.

13 August 2018
Sleepovers and Serial Killers

The night sky is overcast and starless. You’re uneasily aware that nobody else is home and curl up inside a blanket in an attempt for comfort and reassurance. You shiver; the air in the shadowy room is ever-so-slightly too cold for your liking. You draw yourself closer, preparing for the imminent disaster about to occur, and hit the play button on Netflix. Surely that’s the best way of a watching horror movie, right? Maybe not.

9 August 2018
We Talk With Brothers’ Nest Screenwriter Jaime Browne

Jaime Browne is a prolific Australian screenwriter whose credits include The Mule, the Emmy-nominated Please Like Me, telemovie The King, as well as ABC’s Devils Dust, Laid, The Straits, and Squinters.

His latest project is Brothers’ Nest, “the sleeper hit of the 2018 SXSW festival”, which is currently showing in Australian cinemas. I gave Jaime a shoutout in my review a month ago and this week I got to speak with him about making the film, working as a screenwriter, and diversity in Australian media.

Review: Whitney

Whitney is a biopic of the life and music of Whitney Houston, one of the best-selling singers of all time who sold 200 million records and is the only artist to have ever charted seven consecutive number-one singles on the Billboard Hot 100.

Review: Leave No Trace

After eight long years, the genius that is Debra Granik returns with a feature film that is as beautiful a piece of unhurried filmmaking as Winter’s Bone was. Leave No Trace—an adaptation of the novel, My Abandonment by Peter Rock—follows Will, an army veteran, and Tom, his thirteen year old daughter, who call home a little camp set-up made of tarps and other equipment in the wilderness of a nature reserve in Oregon.

6 August 2018
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