Review: In Times of Fading Light

In Times of Fading Light, opening this year’s German Film Festival, is an intensely historical picture, capturing a microcosmic vignette of 1989 East Berlin.

15 May 2018
Review: Taken’s Gory Sci-fi Cousin—Upgrade

Upgrade is a great time if you’re down for a confronting and exciting experience. I highly recommend it to folks who enjoy sci-fi and gory action, and don’t need a rock solid plot to have a good time. Squeamish viewers should skip this one for sure.

9 May 2018
Review: On Body and Soul / Testről és lélekről

CONTENT WARNING: mild discussion of gore, killing of animals. A story of two individuals navigating the complexities of emotions and intimacy, On Body and Soul (Testről és lélekről) is a moving film for anyone who has ever felt alone. Expertly weaving multiple layers of meaning together, Hungarian director Ildikó Enyedi has created a masterpiece which reflects on the human condition within modern society. This film also made me uncomfortable – and so it should.

30 April 2018
Review: Unsane

Hollywood maverick Steven Soderberg’s Unsane is a dizzying, claustrophobic ride, following Sawyer Valentini (Claire Foy) as she becomes admitted to an insane asylum against her will. The movie isn’t particularly about whether she is sane or not, but rather the gradual and unseemly encroachment of her stalker, David Strine (Joshua Leonard). And really, the movie isn’t about the stalker either—it’s about the fact that it was shot entirely on an iPhone.

23 April 2018
Review: Isle of Dogs

Isle of Dogs, like so many of Anderson’s work, leaves you feeling as though you ought to go spend the rest of your day in a bookstore listening to classical music followed by a nice cup of tea. Well at least that’s what I did. I had to keep the perfect illusion alive.

20 April 2018
Review: Gurrumul

Content warning: this review speaks of Aboriginal people who have passed away

I remember hearing Geoffrey Gurrumul Yunupingu live for the first time like it was yesterday, despite it being around ten years ago. He was busking at a market with a few people stopped in front of him, mesmerised. Later, in 2014, I was extremely lucky to hear him again amongst hundreds of other admirers. He’d only sung one verse of a song before my whole family—my mum, dad, grandma, brother and I—started crying in our deck chairs on a grassy hill in the Darwin Amphitheatre. From arguably the most significant voice to come out of Australia thus far, that unique and undeniably powerful performance will be a vivid image in my mind forever. One that, similarly, I highly doubt anyone who has ever seen him perform live will ever forget.

More Than Mascara – Nicola Dobinson
More Than Mascara

Sophie Raphael looks at To the Bone and Talking to Anorexia

19 April 2018
No Filter
Review: Sin Rodeos (No Filter) at the Spanish Film Festival

“A film trying to lift your chin up and unmask the filter, Sin Rodeos will warm your internet heart”

17 April 2018
Review: Morir (Dying) at the Spanish Film Festival

Morir is Fernando Franco’s second feature film, and it’s a grim one.

Review: Loveless

It is, of course, we all groan in anticipation of the cop-out answer, all of these. It’s a sad story about a couple of selfish people, Zhenya and Boris, and their pale child, Alexey who won’t stop crying. In one scene, Zhenya confesses to her new lover that Alexey has repulsed her since his birth.

11 April 2018
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