Review

Review: 1917

Sam Mendes’ epic one-take war film is an indelible, commanding experience built on some of the most incredible craftsmanship that cinema can offer.

8 January 2020
Review: Cats

At its core, it is a wildly CGI’d musical movie about cats begging to die, starring some of the most iconic people in entertainment (plus James Corden).

5 January 2020
Review: Little Women

Little Women (2019) is a radical re-arranging of Alcott’s novel, a tapestry of moments rather than a chronological narrative.

Review: Carly Rae Jepsen

Between walking into the Forum at a little past 7pm and seeing Carly Rae Jepsen come on stage for her sold-out Melbourne show was probably the most trying few hours of my life.

19 December 2019
Review: Atlantics

French-Senegalese filmmaker Mati Diop’s feature film debut, Atlantics, is a sensitively crafted, dream-like journey haunted by the desire for freedom.

Review: Venom

Don’t get me wrong, he still kills and maims in glorious fashion, it’s just that in his downtime, you’ll see him providing a running commentary on Eddie’s love life and loser status. Another impression of the symbiote you’ll likely have by the end of the film? Venom embodies that one bro who goads you into doing stupid shit. All of this amounts to a portrayal of the symbiote that I was pleasantly surprised by. He’s an enjoyable character to watch in his own right and his likability isn’t contingent on the traits of his host. Avoiding painting Venom as an all-consuming mass that takes away its host’s agency, the film instead gives you a more buddy-cop dynamic between symbiote and host, where the two banter, argue and learn off each other. This results in one of the film’s greatest strengths: getting you to root for a jacked-up alien with entirely too many teeth and a habit of eating human heads.

10 October 2018
Review: Baby Bi Bi Bi

I remember exiting the theatre and not being able to stop smiling. As we were making our way to the tram stop, I couldn’t help shaking Dani’s arm and repeatedly (annoyingly) asking her if she saw what I saw and if she could believe it. Being the kind soul she is, she patiently told me that yes, she was there the entire time and she knew exactly how I felt in that moment and there’s a small bit of shared magic that we both took away that night. So please, if you have the time and money go see the show with a friend, I promise you won’t regret it.

20 September 2018
Review: Murder Village at Arts House

The answer, of course, is no. The lightness of the material, the talent on stage, and the apparent joy throughout make this show thoroughly enjoyable. It makes you want more than an hour. And when it’s over, and you feel only ten minutes older, you’ll think that’s the worst thing of all.

17 September 2018
Review: “The dust moats float.”—Luke Beesley’s Aqua Spinach

Maybe it’s me, not him. Maybe I didn’t give these poems the attention they deserved. Certainly, there were enough great moments to know that Beesley is a skillful and original writer, one who I’ll be returning to. Maybe a closer, more perceptive reader would find more in these poems, and the strange corners which Beesley contorts himself into are impressive in-themselves. If you want to feel like you’re driving through heavy fog and a coral reef at the same time, then I recommend Aqua Spinach wholeheartedly. I’m excited for whatever Beesley makes next, whether poetry, fiction, film, or song.

Review: Don’t Worry, He Won’t Get Far on Foot

“I just realised I didn’t want to go to parties or play tennis anymore.” We begin Don’t Worry, He Won’t Get Far on Foot as a middle aged, upper class woman matter of factly tells her story of a mid life crisis, Valium prescription and alcoholism to an AA meeting in a room of bobbing heads.

10 September 2018
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