Review: Chronic

The world is, at times, a terrifying place. Millennials are changing their names to WTC7. Seemingly middle-aged women are drinking coffees with 17 sugars at local cafés. People are ordering chicken parmigianas with extra cheese.

29 June 2018
Review: LONE

I came to this production full of anticipation and curiosity, intrigued by the proposition of a work created by The Rabble and eleven young artists between the ages of 8 and 11.

17 June 2018
VCA Performance Accused of “Reverse Racism”

“Many people have found it confronting—in good and bad ways. Some have disengaged or even walked out. My response to those people is that I think they need to ask themselves why they couldn’t listen to the reality of this nation’s present and historical burdens.”

16 June 2018
Review: WILD at the MTC

“We know everything about you,” declares Miss Prism, at one particularly jarring moment. The comment is directed at Andrew, but it is intimately felt by an audience for which such sentiments are frighteningly poignant in our current context. Wild is a thought-provoking reflection on the state of our times, and our departure from the American idealism of Snowden’s actions, a mere five years ago. A gripping, contemporary depiction of privacy and surveillance in the 21st century, MTC’s Wild is not to be missed.

21 May 2018
Review: Ellida at La Mama

That being said, the whole thing is pretty. It is just so, so pretty. The language is beautiful, the set is stunning, and the performances are solid. If you’re a big Ibsen fan: go. If you’re a set-design nerd: go. If you’re looking for a pleasant and dreamy way to spend an evening: go. Just remember to leave your riot gear at home.

Review: Hungry Ghosts at the MTC

The play is quite humorous, but overall, very sombre. It is marked by collective confusion and absurdism, and a general feeling of helplessness. I wouldn’t necessarily pick the play for the storyline, nor would I pick it for casual viewing. But it’s a fascinating work of deconstruction and left plenty of food for thought.

15 May 2018
Review: MUSC’s Plastic Shakespeare

Like peanut butter and chocolate, Shakespeare and Warhol, MUSC’s Plastic Shakespeare presents a continual pairing of elements that shouldn’t quite work together, but, nine times out of ten, they do, and it makes for beautiful, original theatre.

12 May 2018
Review: Jeremy and Lucas buy a Fucking House

It takes a while to digest everything you see here, especially if the mention of dicks takes a shot at your appetite. Oh and this show is sprinkled with mentions of anything dicks, metaphoric dicks, avocado dicks, dicks that have been in the elderly and what animals do with theirs. Before the show even started, a lucky audience member won a fitting raffle prize—a bag of dicks.

13 April 2018
Review: Garfield: The Musical with Cattitude

 The cast is also accommodating of their younger audience members when breaking the fourth wall and more unscripted moments. This was prominent during during one scene where Garfield slowly traverses the stage to hug his beloved teddy Pookie. At this time several members of the audience chatted about the show as well as having something to eat whilst the cast maintained the scene’s comic tension

12 April 2018
Review: NT Live–Julius Caesar

If you thought Shakespeare productions are all made up of just the same old boring ten-minute old-English monologues, then you are wrong, and Nicholas Hytner’s production of Julius Caesar can prove it. Broadcast live from the Bridge Theatre in London, director Hytner creates an immersive, interactive performance reminiscent of the short musical productions at Disneyland (bet you didn’t see that comparison coming).

9 April 2018
Older posts