Garth Nix’s The Left-Handed Booksellers of London follows art student Susan Arkshaw on a quest to London to search for a man she’s never met: her father. Before she can unearth any answers about her paternal ancestry though, a prick of a silver hatpin turns her first suspect into dust.
In the words of Nat’s What I Reckon, Australia’s latest and most surprising celebrity chef, there’s something about cooking and sharing a feast with friends that makes you feel like a “f*cking champion”.
Samantha C. Ross’ Sunshine: The diary of a lap dancer follows the titular stripper as she flits from Gentleman’s Clubs around Australia and beyond with a sharp wit, affinity for alcohol and delightful pettiness.
Snyder shines the light primarily on the American justice system as she breaks her book down into three sections “The End”, “The Beginning” and “The Middle”, which explore how we come to know about domestic abuse and how it can be born.
Daniel M. Lavery: Something That May Shock and Discredit You Scribe Publications, 2020. ISBN, 9781922310040, pp. 256, $29.99 Something That May Shock and Discredit You is a work that is incredibly comforting for a trans reader. It is, at its heart, a sincere exercise in reckoning with what ‘trans’ is, for a trans person, […]
Susan Golombrok: We are family: what really matters for parents and children Scribe Publications, 2020. ISBN, 9781925713701pp. 320 , $32.99 Professor Susan Golombrok has spent years researching families and how they have changed in the 21st century. From queer couples being able to adopt to Kim Kardashian surrogacies, Golombrok packages her learnings into a […]
Bari is the Bengali word for one’s ancestral home; it is your desh, the place that always holds an important key to understanding who you are. For those uprooted – and often traumatised, as the people in this series of true stories often are – the idea of bari is a confusing one…
I must say there is a strangely melancholic tinge when reading a book so heavily steeped in Australiana as you fly out of Australia. For a book like The Last Free Man, this culminates in the desire to stare out the window at the vastness of the Australian wilderness and for a brief moment be alone (blessedly, when one’s seat is in front of a small screaming child) as Jimmy Healy does in the opening story of the same name.
In this sense, Normal People isn’t a groundbreaking story. It’s a story about all of these things—life, love, change, and coexistence—about which story after story have already been written. It grounds these ideas in four turbulent years of late adolescence and early adulthood, imperfect and unforgettable all at the same time.