Tastings, the biennial showcase of original works by University of Melbourne students, will be held 22–25 August in the Guild Theatre. With over a decade of history, Tastings is developed and run by the University of Melbourne Student Union’s (UMSU) creative arts department.
University Square, the prominent garden and thoroughfare, located between Grattan Street and the Law School, is currently in the process of being redeveloped in an association between the University, the City of Melbourne, and the Victorian Government.
Since early July, Lily Ekins has worked as the new University of Melbourne Student Union VCA campus coordinator. Farrago talked to her about her plans for the new semester, as well as updates on the Southbank campus after the restructure of the Faculty of Fine Arts and Music.
The University of Melbourne is well known for its academic credentials, but fewer people are aware of the athletic prowess it boasts. Earlier this year, University of Melbourne students and alumni won one gold, two silver and one bronze at the Gold Coast Commonwealth Games.
IMAGE by David Zeleznikow-Johnston FOR by Lockout Lockheed Students at the University of Melbourne ought to be informed about a lot of things. First, that their university is making secretive deals with transnational arms manufacturers like Lockheed Martin and BAE. Second, that these partnerships incentivise war by institutionalising and normalising the presence of weapons […]
By the end of it, Mary didn’t feel any love toward the sheep. She didn’t want to hold their slimy bodies, cold and wet, abandoned by their mothers. Most didn’t even know how to suckle properly. She had given up trying to help lost lambs.
Roughly 9,000 years ago, somewhere around the Tehuacan Valley of present-day Mexico, a common local wildgrass began an extraordinary transformation. It probably started by accident: local foragers favouring those plants with larger, looser seeds, and inadvertently spreading them through their waste. But it wasn’t long before humans made art out of chance and began deliberately selecting the best grasses to sow—and unwittingly became the world’s first genetic engineers.
In 2008, humans became a majority urban species for the first time. Today, up to 54 per cent of people live in cities, and that number is only set to rise. Climate change will impact the cities and towns we live in—many urban areas will have to change significantly, and rapidly, in order to withstand the pressures of increasing dangerous weather events, heat waves, and other climatic dangers.
Everything appears serene until IRON MAN flies through the sky with a loud whoosh! He is distributing fluttering bits of paper from above. The camera pans down to street level, and one of the papers flutters into view. It reads: Wedding of the Century: Bucky Barnes and Captain America in classy italic font.
“Okay, it’s fine. It’s Macca’s, they won’t question my order…uh, hi. Can I get three-hundred and sixty nuggets?”
You haven’t slept in two days because you can’t be bothered going to bed. Walking home at 8am you see things you haven’t seen in a long time: people out for breakfast, old Greek women shuffling to church, parents walking their kids to school, a man in a kebab shop slowly readying a fresh tube of meat. It’s all happening.
Each day I am the gentle road’s uninvited guest.
I give the dirt off the bottom of my shoes in thanks,
And my host lends me its spine to walk.
“It’s a film about Melbourne’s west, you should come with me,” I’d said to Tilly. It was a highly reductive summary, leaving out every single plot element, but it worked—the westside born-and-raised Morley sisters will go see anything that acknowledges our beloved western suburbs.
Jaime Browne is a prolific Australian screenwriter whose credits include The Mule, the Emmy-nominated Please Like Me, telemovie The King, as well as ABC’s Devils Dust, Laid, The Straits, and Squinters.
His latest project is Brothers’ Nest, “the sleeper hit of the 2018 SXSW festival”, which is currently showing in Australian cinemas. I gave Jaime a shoutout in my review a month ago and this week I got to speak with him about making the film, working as a screenwriter, and diversity in Australian media.
As of December 2017, A Guinea Pig Romeo & Juliet was selling better on Amazon than the original version. All theory aside, people love Guinea Pig Classics. Arguably the best way to figure out why is to directly consult the consumers themselves. As I am not due to interact with any actual children in the week leading up to submitting this review, I read A Guinea Pig Romeo and Juliet to my friend after a few pints. “Omg little butt”, she says, and “soooooo worried, oh nooo”. I think she’s referring to the fact that all of the little guinea pig faces look generally really concerned and bug-eyed, which is objectively hilarious when they’re ALL WEARING HATS and framed with such captions as My only love sprung from my only hate! / Too early seen unknown, and known too late! Bloomsbury’s editor Xa Shaw Stewart says that this is the key to the series’ success: “Guinea pigs are just so funny—they are so earnest and serious. They always look a tiny bit worried. When you set an incredible text against a really worried little face, something magical happens.”
After eight long years, the genius that is Debra Granik returns with a feature film that is as beautiful a piece of unhurried filmmaking as Winter’s Bone was. Leave No Trace—an adaptation of the novel, My Abandonment by Peter Rock—follows Will, an army veteran, and Tom, his thirteen year old daughter, who call home a little camp set-up made of tarps and other equipment in the wilderness of a nature reserve in Oregon.