Melbourne International Comedy Festival

Review: The Conference

Are you sick of corporate ice-breakers? Frustrated by the increasing casualisation of the workforce? Being crushed by the nightmare that is late-stage capitalism? Then The Conference, from HomeBrand Comedy, might be just the show for you!

14 April 2019
Review: Nice People Nice Things Nice Situations

Going to Rhys Nicholson has become something of a tradition for my Mum and I. As we peruse the thick catalogue of shows for the Melbourne International Comedy Festival each year, he is one of the few acts that has remained on our list. That is, until this year when Mum decided she didn’t want to make the pilgrimage out to the city to see him. I was of a different opinion, and made the trip to the Victoria Hotel on a particularly dark and chilly evening.

12 April 2019
Review: Red Noodle Blue

What happens when the director of your comedy show is a pool noodle and he goes missing in the space-time continuum? It’s not a question I ever imagined asking myself, but Red Noodle Blue does just that and somehow, even more?

11 April 2019
Review: Bella Green is Charging For It

How funny can a show about sex work be? Well, if you’re Bella Green, incredibly.

Review: Onstage Dating

Bron Batten’s Onstage Dating is exactly the type of show you’d expect iconic Melbourne venue The Butterfly Club to put on. The audience begins the experience before Bron even appears, being handed a “volunteer” form filled with the most important questions a potential date can answer: your star sign, your wine preference and, of course, “would you fuck on a first date?”

4 April 2019
Review: The Worst Little Warehouse in London

Lala Barlow and Robbie Smith arrive in London. So begins a whirlwind of migration adventure and, most importantly, their year-long stay in a communal living warehouse they’ve coined The Worst Little Warehouse in London.

3 April 2019
Interview: Everyone Needs Therapy

Iszzy Williamson and Emily Weir make up the two parts of the fresh comedy duo bringing you Everyone Needs Therapy. Done with the trope of the comedian who justifies their depression with laughter, Weir and Williamson are out to show how getting help can be much funnier than staying sad. So why should you catch this political and absurd piece of theatre? We asked Iszzy and Emily.