LATEST NEWS:

State Electorate Profile: Brunswick

Abbey Saxon gives you the political rundown on Melbourne's most (in)famous inner-northern suburb.

Why the Left Sucks: An Inquiry into Campus’s Most Hated Political Group

It is no exaggeration to say that The University of Melbourne is one of the largest breeding grounds for leftist thought in the country. For those of us who have been on campus–walked past the columns

The Aesthetics of Poverty – Why students at UniMelb are so keen to appear poor.

The discourse accusing this so-called ‘student aesthetic’ of fetishising poorness has surfaced within the past year on social media (especially TikTok) and in conversations between students on and off

Satire: Farrago Shuts Down; Honi Soit Now Australia's Oldest Student Publication

As of today, Farrago Magazine, Australia’s oldest student publication, will cease operations under the current four editors.

VCA Students Demand UniMelb to Commit to “Zero Tolerance” Policy

Students at the Victorian College of the Arts (VCA) are calling on the University of Melbourne to “commit to stronger policies and actions when it comes to sexual assault”, after the University ignore

 

Article

stone statues don't cry

This glasshouse gallery has no ceiling, / and the blood of my callouses is / slicked, like hot oil paint on its walls.

To the left is Michelangelo's David, and to the right is a headless person tied down by an anchor

Content warning: body dysmorphia, blood

 

This glasshouse gallery has no ceiling,

and the blood of my callouses is

slicked, like hot oil paint on its walls.

I try to climb out, and my head anchors

me down. My eyes eclipse a searing red.

 

There is nothing here but gods of

marble—the hands of Michelangelo.

Moulds that seem impossible to fill.

A Vitruvian army with a laser-

focused gaze, forever fixed on me.

 

Outside are more eyes—sharp like chisels,

untamed tongues—blunt like chisels.

If my blood were a curtain, I would not feel

the eyes making me wormly. I would not hear

the tongues telling me: “stone statues don’t cry.”

 

And it rains on the ceiling, but the ceiling

is not there. The rain is the brine that

washes the paint away—crumbling the marble.

The running paint is thick, the broken

statues are sharp; so I slide my fingers

down the razor. I am choking on it all.

 
Farrago's magazine cover - Edition Five 2022

EDITION SIX 'RETROFUTURISM' AVAILABLE NOW!

Our last print edition of 2022 is here! This wild, visionary edition is filled with burning nostalgia, glittering hope, and tantalising visions of the future, past, and present.

Read online