Lotte Ward20 February 2016
Cult reviews, adapted for 2016.
Lotte Ward reviews Tod Browning’s Freaks.
Shakespeare: the original cult connoisseur, constantly adapting.
Thelma and Louise cuts deeper as a feminist film by acknowledging that the system, and the odds, are stacked against us.
They Live is a decidedly heavy-handed take on consumerism and conformity – you can feel the likes of Banksy and Shepard Fairey milking it for inspiration
Joel Dommett has the talent for storytelling that accompanies any good comic onstage.
This black romantic comedy is anything but black-and-white in its characterisation
Every Oscar-nominated portrayal of female experience in 2016 was shaped with male hands on the camera
Donnie Darko, and the appeal of genre transcendence (and teen angst).
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