LATEST NEWS:

Victorian Teachers to Strike on March 24 as Union Rejects Pay Offer

Victorian public school teachers will walk off the job after the Australian Education Union (AEU) rejected the state government’s latest pay offer on March 24. This will escalate a long- running dis

The F1 Grand Prix of Hometown Tragedy and the Mercedes Comeback

With the Formula 1 season back in action for its 2026 season under new regulations, we have seen Melbourne's hometown hero, Oscar Piastri, fail to make it to the starting grid, and Mercedes and Ferrar

The 2025 F1 Triple Title Fight Riddled with Controversy

With the 2025 Formula One season coming to a close, the final stretch of the season is shaping up to be a tense three-way contention to decide the drivers' championship. What was initially a display o

News Article

gilt 饰之以身

On show from 26 June - 18 July 2025, gilt 饰之以身 by Ziyi Wei 魏子祎 brings together two works that navigate the ornamentalism of the female body under visual capitalism.

ex-archiveno-news

Ziyi Wei

26 June - 18 July 2025

Opening Celebration Thursday 26 June, 5-7pm

gilt brings together two works that navigate the ornamentalism of the female body under visual capitalism. The exhibition gestures toward a reversal of subject-object relations—where the body is no longer the wearer of ornament, but becomes the surface, structure, and scaffold upon which ornament wears itself. Ziyi Wei employs narrative and material excess as critical tools to interrogate how femininity is aestheticised, codified, and rendered compliant beneath the pressures of hypervisibility and commodification.

魏子祎 Wei Ziyi is a multidisciplinary artist based in Naarm (Melbourne), originally from Guiyang, Guizhou. Her practice examines how feminine identity is shaped, adorned, and commodified within the structures of global capitalism. Working across sculpture, painting, and moving image, Wei explores the entangled relationship between bodily autonomy and ornamental excess. Drawing from a fluid, cross-cultural perspective that resists fixed Oriental or Occidental positions, her work navigates the psychic weight of objectification and the porous boundaries between surface and self. Ornamentation becomes both her material and method—a semiotic code through which power, desire, and identity are continually negotiated.

Farrago's magazine cover - Edition One 2026

EDITION ONE 2026 AVAILABLE NOW!

Read online